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Artikelbeschreibung

Produktbeschreibungen

Pressestimmen

"You’ll want to keep turning the pages long after lights out to find out what happens next … Reichs’ real-life expertise gives her novels an authenticity that most other crime novelists would kill for " (Daily Express)

"Reichs' seamless blending of fascinating science and dead-on psychological portrayals, not to mention a whirlwind of a plot, make [her novels] a must read" (Jeffery Deaver)

"With Kathy Reichs the reader knows they're in the hands of an expert" (Sunday Express)

"Brennan is a winner, and so is Reichs" (Daily News)

"A truly impressive writer" (We Love This Book)

 

Werbetext

A gripping Temperance Brennan novel from world-class forensic anthropologist Kathy Reichs, the international no. 1 bestselling crime thriller writer and the inspiration behind the hit TV series Bones.

 

Kurzbeschreibung

Kathy Reichs—#1 New York Times bestselling author and producer of the FOX television hit Bones—returns with the thirteenth riveting novel featuring forensic anthropologist Dr. Temperance Brennan.

 

John Lowery was declared dead in 1968—the victim of a Huey crash in Vietnam, his body buried long ago in North Carolina. Four decades later, Temperance Brennan is called to the scene of a drowning in Hemmingford, Quebec. The victim appears to have died while in the midst of a bizarre sexual practice. The corpse is later identified as John Lowery. But how could Lowery have died twice, and how did an American soldier end up in Canada?

 

Tempe sets off for the answer, exhuming Lowery’s grave in North Carolina and taking the remains to Hawaii for reanalysis—to the headquarters of JPAC, the U.S. military’s Joint POW/ MIA Accounting Command, which strives to recover Americans who have died in past conflicts. In Hawaii, Tempe is joined by her colleague and ex-lover Detective Andrew Ryan (how “ex” is he?) and by her daughter, who is recovering from her own tragic loss. Soon another set of remains is located, with Lowery’s dog tags tangled among them. Three bodies—all identified as Lowery.

 

And then Tempe is contacted by Hadley Perry, Honolulu’s flamboyant medical examiner, who needs help identifying the remains of an adolescent boy found offshore. Was he the victim of a shark attack? Or something much more sinister?

 

A complex and riveting tale of deceit and murder unfolds in this, the thirteenth thrilling novel in Reichs’s “cleverly plotted and expertly maintained series” (The New York Times Book Review). With the smash hit Bones now in its fifth season and in full syndication—and her most recent novel, 206 Bones, an instant New York Times bestseller—Kathy Reichs is at the top of her game.

 

 

Klappentext

John Lowery was declared dead in 1968, the victim of a Huey crash in Vietnam, his body buried long ago in North Carolina. Four decades later, Temperance Brennan is called to the scene of a drowning in Hemmingford, Quebec. The victim appears to have died while in the midst of a bizarre sexual practice. The corpse is later identified as John Lowery. But how could Lowery have died twice, and how did an American soldier end up in Canada?

 

Tempe sets off for the answer, exhuming Lowery's grave in North Carolina and taking the remains to Hawaii for reanalysis - to the headquarters of JPAC, the U.S. military's Joint POW/MIA Accounting Command, which strives to recover Americans who have died in past conflicts. In Hawaii, Tempe is joined by her colleaue and ex-lover Detective Andrew Ryan (how 'ex' is he?) and by her daughter, who is recovering from her own tragic loss. Soon another set of remains is located, with Lowery's dog tags tangled amongst them. Three bodies - all identified as Lowery.

 

And then Tempe is contacted by Perry Hadley, Honolulu's flamboyant medical examiner, who needs help identifying the remains of an adolescent boy found offshore. Was he the victim of a shark attack? Or something much more sinister?

 

A complex and riveting tale of deceit and murder unfolds in this, the thirteenth thrilling novel in Reichs's 'cleverly plotted and expertly maintained series' (New York Times Book Review). With the smash hit TV series Bones now in its fifth season and her most recent novel, 206 Bones, an instant Sunday Times bestseller - Kathy Reichs is at the top of her game.

 

Buchrückseite

Dr Temperance Brennan spends her life working amongst the decomposed and the skeletal. So the newly-dead body she is called to examine holds little to surprise her. Until she discovers it is the body of an ex-soldier apparently killed in Vietnam in 1968. So who is buried in his grave?

The case takes Tempe to the heart of the American military, where she must examine the remains of anyone with a possible connection to the drowned man. It's a harrowing task, but it pays off when she finds his dog tags amongst the bones of a long-dead soldier.

As Tempe untangles the web of the soldiers' lives and deaths, she realises there are some who would rather the past stayed buried. And when she proves difficult to frighten, their focus moves to the one person she would give her life to protect.

BRAND PANEL

 

Über den Autor und weitere Mitwirkende

Kathy Reichs is the author of more than twenty New York Times bestselling novels featuring forensic anthropologist Temperance Brennan, including her most recent The Bone Collection. Like her protagonist, Reichs is a forensic anthropologist—one of fewer than one hundred ever certified by the American Board of Forensic Anthropology. A professor in the Department of Anthropology at the University of North Carolina at Charlotte, she is a former vice president of the American Academy of Forensic Sciences and serves on the National Police Services Advisory Council in Canada. Reichs’s own life, as much as her novels, is the basis for the TV show Bones, one of the longest-running series in the history of the FOX network.

Linda Emond's film credits include Stop Loss, North Country, and Across the Universe. Television credits include The Sopranos, all four Law & Orders, and American Experience: John & Abigail Adams. On Broadway she has performed in 1776 and Life x 3 (Tony nomination & Outer Critics Circle Award) and Off-Broadway in Tony Kushner's Homebody/Kabul (Obie & Lucille Lortel Awards).

 

Leseprobe. Abdruck erfolgt mit freundlicher Genehmigung der Rechteinhaber. Alle Rechte vorbehalten.

Spider Bones

1


THE AIR SMELLED OF SUN-WARMED BARK AND apple buds raring to blossom and get on with life. Overhead, a million baby leaves danced in the breeze.

Fields spread outward from the orchard in which I stood, their newly turned soil rich and black. The Adirondacks crawled the horizon, gaudy bronze and green in the glorious sunlight.

A day made of diamonds.

The words winged at me from a war drama I’d watched on the classic-film channel. Van Johnson? No matter. The phrase was perfect for the early May afternoon.

I’m a Carolina girl, no fan of polar climes. Jonquils in February. Azaleas, dogwoods, Easter at the beach. Though I’ve worked years in the North, after each long, dark, tedious winter the beauty of Quebec spring still takes me by surprise.

The world was sparkling like a nine-carat rock.

A relentless buzzing dragged my gaze back to the corpse at my feet. According to SQ Agent André Bandau, now maintaining as much distance as possible, the body came ashore around noon.

News telegraphs quickly. Though it was now barely three, flies crawled and swarmed in a frenzy of feeding. Or breeding. I was never sure which.

To my right, a tech was taking pictures. To my left, another was running yellow crime-scene tape around the stretch of shoreline on which the body lay. The jackets of both said Service de l’identité judiciaire, Division des scènes de crime. Quebec’s version of CSI.

Ryan sat in a squad car behind me, talking to a man in a trucker cap. Lieutenant-détective Andrew Ryan, Section des crimes contre la personne, Sûreté du Québec. Sounds fancy. It’s not.

In la Belle Province, crime is handled by local forces in major cities, by the provincial police out in the boonies. Ryan is a homicide detective with the latter, the SQ.

The body was spotted in a pond near the town of Hemmingford, forty-five miles south of Montreal. Hemmingford. Boonies. SQ. You get it.

But why Ryan, a homicide dick working out of the SQ’s Montreal unit?

Since the deceased was plastic-wrapped and wearing a rock for a flipper, the local SQ post suspected foul play. Thus the bounce to Ryan.

And to me. Temperance Brennan, forensic anthropologist.

Working out of the Laboratoire de sciences judiciaires et de médecine légale in Montreal, I do the decomposed, mummified, mutilated, dismembered, and skeletal for the province, helping the coroner with identification, cause of death, and postmortem interval.

Immersion leaves a corpse in less than pristine condition, so when Ryan caught the call about a floater, he enlisted me.

Through the windshield I saw Ryan’s passenger gesture with agitated hands. The man was probably fifty, with gray stubble and features that suggested a fondness for drink. Black and red letters on his cap declared I Love Canada. A maple leaf replaced the traditional heart icon.

Ryan nodded. Wrote something in what I knew was a small notebook.

Refocusing on the corpse, I continued jotting in my own spiral pad.

The body lay supine, encased in clear plastic, with only the left lower leg outside and exposed. Duct tape sealed the plastic under the chin and around the left calf.

The exposed left foot wore a heavy biker boot. Above its rim, a two-inch strip of flesh was the color of oatmeal.

A length of yellow polypropylene rope looped the boot roughly halfway up its laces. The rope’s other end was attached to a rock via an elaborate network of knots.

The victim’s head was wrapped separately, in what looked like a plastic grocery bag. A black tube protruded from one side of the bag, held in place with more duct tape. The whole arrangement was secured by tape circling the neck and the tube’s point of exit.

What the flip?

When I dropped to a squat, the whining went mongo. Shiny green missiles bounced off my face and hair.

Up close, the smell of putrefaction was unmistakable. That was wrong, given the vic’s packaging.

Waving off Diptera, I repositioned for a better view of the body’s far side.

A dark mass pulsated in what I calculated was the right-thigh region. I shooed the swarm with one gloved hand.

And felt a wave of irritation.

The right lower was visible through a fresh cut in the plastic. Flies elbowed for position on the wrist and moved upward out of sight.

Sonofabitch.

Suppressing my annoyance, I shifted to the head.

Algae spread among the folds and creases of the bag covering the top and back of the skull. More slimed one side of the odd little tube.

I could discern murky features beneath the translucent shroud. A chin. The rim of an orbit. A nose, bent to one side. Bloating and discoloration suggested that visual identification would not be an option.

Rising, I swept my gaze toward the pond.

Nosed to the shore was a tiny aluminum skiff with a three-horsepower outboard engine. On the floor in back were a beer cooler, a tackle box, and a fishing rod.

Beside the skiff was a red canoe, beached and lying on its starboard side. Navigator was lettered in white below the port gunwale.

Polypropylene rope ran from a knot on the canoe’s midship thwart to a rock on the ground. I noted that the knots on the rock resembled the one securing the victim’s ankle weight.

Inside the canoe, a paddle lay lengthwise against the starboard hull. A canvas duffel was wedged below the stern seat. A knife and a roll of duct tape were snugged beside the duffel.

An engine hum joined the buzz of flies and the bustle and click of techs moving around me. I ignored it.

Five yards up the shoreline, a rusted red moped sat beneath a precociously flowering tree. The license plate was unreadable from where I stood. At least with my eyes.

Dual rearview mirrors. Kickstand. Raised trunk behind the seat. The thing reminded me of my freshman undergrad wheels. I’d loved that scooter.

Walking the area between the skiff and the moped, I saw a set of tire treads consistent with the pickup parked by the road, and one tread line consistent with the moped itself. No foot or boot prints. No cigarette butts, aluminum cans, condoms, or candy wrappers. No litter of any kind.

Moving back along the water, I continued recording observations. The engine sounds grew louder.

Mud-rimmed pond, shallow, no tides or chop. Apple trees within five feet of the bank. Ten yards to a gravel road accessing Highway 219.

Tires crunched. The engine sounds cut out. Car doors opened, slammed. Male voices spoke French.

Satisfied I’d learn nothing further from the scene, and wanting a word with the industrious Agent Bandau, I turned and walked toward the vehicles lining the road.

A black van had joined Ryan’s Jeep, the blue crime-scene truck, the fisherman’s pickup, and Bandau’s SQ cruiser. Yellow letters on the van said Bureau du coroner.

I recognized the van’s driver, an autopsy tech named Gilles Pomerleau. Riding shotgun was my new assistant, Roch Lauzon.

Exchanging bonjours, I assured Pomerleau and Lauzon the wait wouldn’t be long. They crossed to view the corpse. Ryan remained in the cruiser with the unfortunate angler.

I approached Bandau, a gangly twentysomething with a wheat blond mustache and skin that looked like it really hated sun. Though it was hidden by his agent’s cap, I envisioned pale hair going south at a rate that alarmed its young owner.

“What’s with the plastic wrap?” Bandau asked in French, looking past me toward the...

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